Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Accenti di Prometeo, per pianoforte
Francesco Carluccio |
PART04861
|
||
A l'abîme
Francesco Carluccio |
PART04862
full score |
||
Arioso, Quartine da Omar Khayyâm, per voce recitante, fl, cl in si b, vla, pf
Francesco Carluccio |
PART04863
full score |
1/4/1985 | |
Ballata, per flauto
Francesco Carluccio |
PART04864
full score |
||
Ballata II, per flauto
Francesco Carluccio |
PART04865
full score |
||
Conversation Pièce, per fl,ob,clarinetto basso
Francesco Carluccio |
PART04866
full score |
9/1984 | |
Epilogo, per voce, cl,e pf.
Francesco Carluccio |
PART04867
full score |
||
Fool, (il metodo della pazzia), per voce femminile e vla
Francesco Carluccio |
PART04868
full score |
||
Lullaby
Francesco Carluccio |
PART04869
full score |
1977 | |
Orfeo, Atto in musica
Francesco Carluccio |
PART04870
full score |