Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Burlesca
Antonio Veretti |
PART04382
arrangement/reduction |
||
Burlesca, opera-balletto in un atto in 3 quadri e 2 intermezzi
Antonio Veretti |
PART04396
full score |
1/6/1954 | |
Caracciolo
Franco Vittadini |
PART04415
full score |
||
Partita, Una, con correzioni autografe di R. Zandonai
Riccardo Zandonai |
PART04485
full score |
||
Cavalieri di Ekebù, I
Riccardo Zandonai |
PART04487
full score |
9/1924 | |
Farsa amorosa, La
Riccardo Zandonai |
PART04488
full score |
23/11/1932 | |
Giuliano
Riccardo Zandonai |
PART04490
arrangement/reduction |
||
Giulietta e Romeo
Riccardo Zandonai |
PART04491
full score |
29/11/1921 | |
Partita, Una
Riccardo Zandonai |
PART04494
full score |
29/9/1932 | |
Bacio, Il
Riccardo Zandonai |
PART04496
full score |
22/2/1944 |