Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Favola di Andersen, Una
Antonio Veretti |
PART04377
full score |
1/7/1934 | |
Sinfonia italiana , (Il popolo e il profeta)
Antonio Veretti |
PART04378
full score |
||
Sette peccati, I, Rappr.coreografica.Riduz.per voci e 2 pf.
Antonio Veretti |
PART04379
full score |
27/2/1954 | |
Sette peccati, I , Rappr.coreografica. Altra copia della rid. per voci e 2 pf.
Antonio Veretti |
PART04380
|
23/2/1954 | |
Sette peccati, I, Rappr.coreografica. Guida coro
Antonio Veretti |
PART04381
|
||
Burlesca
Antonio Veretti |
PART04382
arrangement/reduction |
||
4 Cori, a voci miste
Antonio Veretti |
PART04383
full score |
1939 | |
Favola di Andersen, Una
Antonio Veretti |
PART04384
arrangement/reduction |
||
Passacaglia
Antonio Veretti |
PART04385
full score |
||
Passepied I e II , per pf. a quattro mani
Antonio Veretti |
PART04386
full score |